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笔者长期从事中国画教学,在给学生讲述中国绘画历史时通常会遇到这样的尴尬:一、众多教材关于美术史的分期存在很大的差异;二、传统中国画的绘画精神及技法内涵(笔墨)往往在当代的中国画中难以找到对应的实例。本文正是以这样的尴尬现状为基点,试图通过对20世纪以来中国古代书画研究及传统研究方法的来龙去脉的介绍,来分析当代书画与传统书画的不同特征,进而引导大家区别看待不同时代的绘画与社会思潮的联系。
I have been engaged in Chinese painting teaching for a long time. I often encounter such awkwardness in teaching Chinese students about the history of Chinese painting. First, there are many differences in the staging of art history among many textbooks. Second, the traditional Chinese painting spirit and technique (pen and ink) It is often difficult to find the corresponding examples in contemporary Chinese paintings. Based on the awkward status quo, this article tries to analyze different characteristics of contemporary calligraphy and painting and traditional calligraphy and painting by introducing the research of ancient Chinese painting and calligraphy and the traditional research methods since the 20th century, so as to guide people to distinguish between different periods of painting And the social trend of thought.