论文部分内容阅读
邓以蛰是我国“五四”以来著名的美学家和美术史家,在黑格尔“理想论”艺术史观的影响下,把“体—形—意(理)”和“生动—传神—意境(气韵生动)”辩证地统一起来,建构了一种极富创造性的“辩证心本论”美术史观;并在此思维理路下,把中国美术史分期为形体一致的商周时期、形体分化的秦汉时期、净形的汉唐时期和形意交化的唐宋元明时期。这在中国美术史观的现代转型上有着不可忽视的重要地位和价值。
Deng Yizhe is a famous esthetician and fine art historian since the May 4th Movement in China. Under the influence of Hegel’s ideal theory of art history, “Vivid - vivid - artistic conception (vivid atmosphere)” dialectically unified, constructed a highly creative “dialectical heart ” theory of art history; and in this line of thinking, the Chinese art history as In the Qin and Han dynasties during the Shang and Zhou Dynasties, during the Shang and Zhou dynasties in the same form, during the Han and Tang Dynasties and in the Tang, Song, Yuan, Ming and Ming dynasties in which the shapes were separated. This has an important position and value that can not be ignored in the modern transformation of the Chinese art history view.