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李健吾将精神分析学的理论、观点不仅渗透到包括戏剧在内的文艺创作中,而且呈现在他的文艺理论批评、鉴赏等环节。与柏格森意识流的融合使李健吾在创作的同时在心理方面找到了观察现实的一种新的方法,即运用心理时间的手段,从内部观察人物的精神活动,探索其意识连绵不断变化的新理流。这种按照心理时间的特征,将过去、现在、将来的时序互相颠倒,互相渗透,真实地描绘人物的心理历程,以剖示人物的内心世界,塑造出真实而深刻的心理现象,使其戏剧得到了深化和突出。
Li Jianwu psychoanalytic theory, ideas not only infiltrated into the literary and artistic creation, including drama, but also in his theory of literary criticism, appreciation and other links. The fusion with Bergson’s stream of consciousness enabled Li Jianwu to find a new way of observing reality psychologically by means of using psychological time to observe the mental activities of characters internally and explore the continuous change of his consciousness The new management flow. According to the characteristics of the psychological time, the past tense, the tense of the future and the future tense to each other, infiltrate each other, to truly depict the psychological course of the characters, to depict the inner world of the characters, to create a real and profound psychological phenomenon so that the drama Has been deepened and highlighted.