国内学者对于西方当代艺术的研究,大多从翻译西方相关的理论著述起步。这种方式可以获取最为直接的原始资料,可以最早接触原著以展开最为直接的阅读,并且能够减少由于翻译、转述等过程带来的不必要的误读。因此,作为译者,必定是欣喜若狂,内心充满着先睹为快的喜悦。然而,阅读翻译后著作的读者并不能 Domestic scholars mostly study the western contemporary art from the translation of Western related theoretical work. In this way, the most direct source material can be obtained, which can be the earliest contact with the original in order to carry out the most direct reading, and can reduce unnecessary misinterpretation due to translation, rendition and other processes. Therefore, as a translator, must be ecstatic, filled with the joy of sneak preview. However, readers who read the translated works do not