只有当你看到了,才能真正体会到阿恩·厄斯(Arre Ase)教授陶瓷作品的撼人魅力。厄斯教授的陶瓷作品造型很简单,他选择了人们生活中常用的碗。这些与人们生活关系密切的碗造型,在厄斯教授的手上成为一个个鲜活的载体,时而是梦幻般的夜曲,时而是激烈奔放的交响乐章。那些硕大的碗造型,简洁而充满个性变化,线形的伸张和压缩渗透出一种活力。碗的质地洁白而透明,轻盈剔透。在并不厚的胎体上利用特殊的工艺制作方法,创造出了不同层次上的变化。浮雕配上色彩,使作品变化丰富,展示了文化艺术与自然的交融。 厄斯教授是第一个在挪威实验薄形瓷器的人,在大多数情况下,那是一种新的突破。对于陶瓷试验最重要的条件是愿意突破已建立的传统和美学标准,然后在不同的方面进行尝试。阿恩·厄斯在70年代 Only when you see it, can you really appreciate the awesomeness of Professor Arre Ase’s ceramics. Professor Ersch’s ceramic works are very simple shapes, he chose the bowl commonly used in people’s lives. These bowls, closely related to people’s life, became a living carrier in the hands of Professor Ers, sometimes a fantastic nocturne, sometimes an intense and arrogant symphony. Those huge bowl shape, simple and full of personality changes, linear stretch and compression infiltrating a kind of vitality. Bowl white and transparent texture, light and transparent. In the not thick carcass using a special process of production methods to create a different level of change. Embossing coupled with color, so that changes in the rich works, showing the blend of culture and the arts and nature. Professor Auss was the first to experiment with porcelain in Norway, and for the most part, that was a new breakthrough. The most important condition for the ceramic test is willing to break the established tradition and aesthetic standards, and then try in different aspects. Arnius in the 70s