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秋天基地的初次到访和冬天青城满山遍野遗留的枝丫,让我们理解了在青城山,“生长”不仅仅是视觉的形象,更是存在的方式。这种存在的方式激发了方力钧美术馆生成的逻辑:一种生长的冲动亦或是一种生长的“痕迹”。从曼德布罗特(B.B.Mandelbort)的分型理论我们可
The first visit to the autumn base and the remaining branches of the mountains in Qingcheng City in winter make us understand that in Qingcheng Mountain, “growth” is not only a visual image, but also a way of existence. This way of existence inspires the logic generated by Fang Lijun Art Museum: a kind of growth impulse or a kind of growth “trace”. From the classification theory of B.B. Mandelbort we can