尽管拉场戏早已成为完善的戏曲形态,但它仍旧置身于二人转的本体之中。即人们通常所说的二人转、单出头、拉场戏历来结成不容分割的“一树三枝”。因此,1994年5月在四平市举行的吉林省第十二届二人转新剧目评奖推广会上,照例拥有拉场戏参与,并且不乏成功之作。如《贵夫人推磨》、《二姑爷拜寿》、《乐半截》和《偷祸》等,都受到广大观众的一致好评。这些作品之所以获得成功,原因可能很多.但就编剧、导演和表演的造诣而说,我认为主要取决于两个方面:其一是剧目创作不离剧种的本体,即不偏离扎根在东北民间 Although pull play has long been a perfect opera form, but it is still placed in the body of the duo turn. That is what people usually call the duo turn, a single exit, pull the scene has always formed an inseparable “three trees.” Therefore, in May 1994 held in Siping City, Jilin Province, the twelfth two-person turn of the new drama award promotion, as usual, have a pull play to participate, and there is no lack of success. Such as “expensive lady push mill”, “Yigu worship birthday”, “half” and “steal misfortune”, etc., are subject to the majority of the audience’s praise. There are many reasons for the success of these works, but I think it depends mainly on two aspects: the first is that the repertoire is not limited to the style of the genre,