“借景”是中国园林的核心理法之一。在现代景观设计实践中,借景通常仅仅被理解为针对视觉景观的处理手段。但细读《园冶》发现,“因”、“借”包含的意义和涵盖的范畴不仅是某种设计手法,更是造园中通观全局的设计观念。本文从几个关键词的语义出发,通过解读“因”、“借”、“触情”的词源含义,对比考察隐含在《园冶》、《闲情偶寄》、《随园记》等古典文献中的“因”、“借”思想,发掘《园冶·借景》篇中的“因借——触情”的结构图式,探寻“因借”中折射出来的文人造园思想。 “By King ” is one of the core principles of Chinese garden. In modern landscape design practice, Borrowing is usually only understood as a means of dealing with the visual landscape. However, reading The Garden Metallurgy found that the meaning and scope covered by “borrow ” is not only a kind of design method, but also the design concept of making a general view of the garden. This essay starts from the semantics of several key words and interprets the etymological meanings of “borrowing ”, “borrowing ” and “touching ” “,” With the Garden “and other classical literature ” Because of “, ” Borrow “thought, excavate” Yuanyuan “by” borrowing - touching “structural schema, Exploring the Idea of ​​the Scholar ’s Garden of Creation Reflected in ”By Loan".