丰子恺文画兼胜,以作家和画家两种身份并行于世,其文学与绘画之间自觉的贯通与互渗,既是对“诗画一律”传统的承接与延续,又是对文与画各自独立艺术形态所具优长与不足的充分理解与认知。本文从丰子恺随笔与漫画创作入手,论析其互渗互补之关系,认为丰子恺自觉地将二者融会贯通,使之相互借重、相互补足,其随笔和漫画也由此呈现出互为辉映、相得益彰、珠联璧合的艺术效果。文学元素的融入使其漫画别具一格,而绘画元素的渗透又使其随笔自成一家。 Feng Zikai’s paintings and victories, both as writers and painters, are in parallel with each other, and the consciously penetrating and infiltration between literature and painting are not only the continuation and continuation of the tradition of “poetry and painting” Full understanding and cognition of the strengths and weaknesses of independent art forms in both text and painting. This essay begins with Feng Zikai’s essay and cartoon creation, and analyzes the relationship between the two. He believes that Feng Zikai consciously combines the two so that they can mutually reinforce each other and make up for each other. Hui Ying, complement each other, the perfect combination of artistic effects. The integration of literary elements makes the comic unique, while the permeation of the painting element makes it an independent writer.