土家族有着许多独特的风俗习惯,姑娘出嫁时“哭而不喜、喜当悲歌”便是其中极为典型的民俗文化事象。它是土家族女性婚姻乃至人生境遇的真实写照。透过土家族独特的哭嫁仪式音声,我们可以发现音乐心理需要、音乐社会性需要和音乐道德感需要共同构成土家族女性音乐情感的三个维度,进而清晰地触摸到土家女性细腻、深沉而又丰富的音乐情感世界。 Tujia has many unique customs. When the girl is married, “cry rather than happy, like a sad song” is one of the most typical folk culture. It is a true portrayal of Tujia women’s marriage and even life experience. Through the Tujia unique crying rituals, we can find that the psychological needs of music, the social needs of music and the sense of musical ethics need to jointly form the three dimensions of Tujia women’s musical emotions, so as to clearly touch the delicate and deep feelings of Tujia women Also rich in musical emotional world.