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明代是妓女题材绘画当之无愧的高峰期。究其原因,有着深厚的社会背景。明代初期由于朱元璋下令将各地娼妓收于教坊统一管理,官吏狎娼有禁而缙绅为例外;①但至明中叶之后,特别是明武宗自身的荒淫无度和统治集权的逐渐放松,使得狎妓之风日渐盛行,尤以南北两京为重。②至万历时期,谢肇淛在《五杂俎》中提到:“今时娼妓布满天下,其大都会之地,动以千百计,其
Ming Dynasty is a well-deserved peak of prostitutes painting. The reason, has a profound social background. In the early Ming Dynasty, the Order of the Yuan Dynasty ordered the prostitutes throughout the country to be managed in a centralized way, with the banning of prostitutes by officials and gentrification as an exception. However, after the mid-Ming Dynasty, especially Ming Wuzong’s own licentiousness and the gradual relaxation of dominance, Increasing prevalence of wind, especially North and South Beijing as the most important. ② Wanli period, Xie Zhaozhe in the ”Five Zaben“ mentioned: ”At this time the prostitutes covered the world, its metropolis, moving hundreds of its