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格里格是挪威民族乐派作曲家,他应邀为易卜生的戏剧作品《培尔·金特》创作出《培尔·金特》组曲。该作品对后世的具有非常大的影响力,作曲家巧妙地将挪威民族性的主题旋律与西方传统作曲技法相结合,并与戏剧内容融为一体,该作品在配器方面更是有非常高的研究价值。本文意在探究该组曲中第四首《在山魔王的宫殿中》的配器手法及特点。
Grieg, a Norwegian nationalist composer, was invited to create the “Per Gilt” suite for Ibsen’s play “Patel”. The work has a very strong influence on future generations. The composer skillfully combined the theme melody of Norwegian nationality with the traditional Western composition techniques and integrated it with the drama content. The work is even more highly equipped research value. This article is intended to explore the fourth song in the group “in the palace of the devil’s palace,” the device practices and characteristics.