但凡成熟的艺术家,总是会质疑既定模式的力量并挑战个体局限性。接近物理层面公共体的刚性模式,包括社会、团体、科学系统和知识结构等等,在其“共同体”的建立之初,的确完善了共同整体的组织结构,并为萌初阶段的“共同体”提供了操作上的可行性参考。然而,当我们思考那些更贴近人类心理层面共同体的价值判断、心灵归属以及身份认同的时候(比如“民族的产生”或者艺术家的“族群身份”),透过历史上浅表的现象 Whenever mature artists always question the power of established models and challenge individual limitations. Close to the physical level of the rigid body of public bodies, including society, groups, scientific systems and knowledge structure, etc., at the beginning of its “Community ”, indeed improved the common overall organizational structure, “Community” provides an operational feasibility reference. However, when we think about the value judgments, spiritual affiliations, and identities closer to the community of human psychology (such as “the birth of the nation” or “the ethnic identity of the artist”), through the superficial phenomenon