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本文《从阿多诺<音乐社会学导论>看其对音乐本体意识形态化的批判》是对第四篇广播稿《阶级和阶层》的论述、阐释与分析。旨在解读阿多诺关于音乐与阶级、阶层的关系问题,实质是在论述阿多诺对于资本主义社会音乐本体意识形态化的批判。该理论对阿多诺所处的资本主义社会有着不可争辩的批判性,在百余年后的今天,对我国社会同样有着重要的警示作用。
This article “Criticism of Ideology of Musical Ontology from Adorno’s Introduction to Musical Sociology” is a discussion, interpretation and analysis of the fourth broadcast version of “Class and Stratum.” The purpose of this article is to explain Adorno’s question about the relationship between music and classes and classes. The essence is to discuss Adorno’s critique of the ideology of the musical ontology in capitalist society. This theory has an indisputable critique on the capitalist society in which Adorno is located. It has also an important warning function to our country’s society more than a hundred years later.