僮族是我国少数民族中人口最多的一个民族。它在历史上曾有过很高的文化,但在旧社会中由于反动统治阶级的摧残,得不到发展,在中国共产党的领导下,僮族文化才得到发展的机会,像抹去灰尘的珠子,重新闪出光亮。僮戏,就是在党的“百花齐放,推陈出新”的文艺方针指导下,得到提高与发展,成为祖国百花园的新品种之一。很早的时候,在广西僮族地区中就流传一种颂神、祷福、带有迷信意味的“师公戏”。这种戏有舞蹈的形式,也有唱、做及故事情节,但多是表演一些神鬼的故事。唱腔还未得到发展,只是接近于朗诵式的,只能配打击乐,管弦乐不能配上。这种形式曾经在僮族地区传播了几百年,应该说是比较古老的僮戏的一种。 Children’s ethnic groups are the most populous ethnic group in our country. It had historically had a very high culture, but in the old society, because of the brutalization of the reactionary ruling classes, there was no development. Under the leadership of the Chinese Communist Party, the culture of the children was given a chance of development such as erasing dust Beads, blink again. Children’s play is one of the new varieties that have been enhanced and developed under the guidance of the party’s literary guideline of “letting all flowers bloom and innovation”. Very early, in Guangxi’s tribal areas spread a kind of “praising God, praying for a funeral, with a superstitious” teacher drama. " This play has the form of dance, but also singing, doing and storyline, but mostly perform some ghost story. Aria has not been developed, just close to the recitation, only with percussion, orchestral can not be matched. This form was once spread in the tribal areas for hundreds of years and should be said to be one of the more ancient children’s plays.