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25年前,朱向前说:《痴情》是中国“战争后遗症”的“先声之作”。20年前,他说:《穿越死亡》是当代“南线之战”的“总结之作”;15年前,他说:《音乐会》是中国反思战争的“标高之作”。如此判断,等于说:朱秀海乃当代战争文学第一人。2年前,他说:六十再识朱秀海,不信你们等着嗨!二朱相识了30年,朱向前阅读研究了朱秀海30年,为什么年过花甲又慨然:六十再识朱秀海。因为这是一个全新的朱秀海,一个热爱读书,全身心在书海里遨游了50年的朱秀海,一个因读书而不断成长以至于让老友都感到了陌生而惊讶的朱秀海。当同代作家的棋局基本上都进入了半目收官阶段,朱秀海却还在大飞布局。由二朱对话,可以了解这个当代中国文坛罕见的个案,窥见当代中国文学困境的某些症候及破局的希望之所在。
Twenty-five years ago, Zhu Xiangqian said: “Infatuation” is the “first sound” of the “war sequelae” in China. Twenty years ago, he said: “Crossing Death” is the “summary” of contemporary “war on the South.” Fifteen years ago, he said: “The concert is the elevation of China’s reflective war.” For ". Judging this, it is equal to saying that Zhu Xiuhai is the first person in contemporary war literature. Two years ago, he said: Sixty know more about Zhu Xiuhai, do not believe you are waiting Hey! Zhu Er met for 30 years, Zhu Xiangqian read and studied Zhu Xiuhai 30 years, Because this is a brand new Zhu Xiuhai, a love of reading, wholeheartedly traveling in the book for 50 years Zhu Xihai, a growing because of reading and so that all friends are surprised and surprised Zhu Xihai. When the same generation of writers have basically entered the stage of closing the stage, Zhu Xiuhai is still flying layout. Dialogue between the two countries will help us to understand the rare cases in contemporary Chinese literature and to see some of the symptoms of the current dilemma in Chinese literature and the hope of breaking it.