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方回《瀛奎律髓》与张炎《词源》分别为宋代诗、词理论著作的殿军,提出了最高的审美标准和艺术典范,并在艺术技法层面了作了深入探讨。前者主清劲、宗后山,欲以之实现南宋江西诗派的内部超越;后者主清空、崇白石,欲以之实现南宋骚雅词派的内部超越。宋代诗词的散文化倾向,凸显了宋代文人的精神特质。内部超越的思考方式,对于古代文学研究和理论建设具有重要启示。
Fang Hui’s “Eunuch Law” and Zhang Yan’s “Etymology” are respectively the highest level of aesthetic standards and artistic models for the mainstay of the poetry and Ci theory in the Song Dynasty. They also discussed in depth the aspects of artistic techniques. In the former, the Qing dynasty and the Sect of the Back Mountain are attempting to realize the internal transcendence of the Jiangxi poetry school in the Southern Song Dynasty. The latter emptied and worshiped Bai Shizhan in an attempt to realize the internal transcendence of the Southern Song dynasty poetry. The prose tendency of the poems in the Song Dynasty highlights the spiritual qualities of the scholars in the Song Dynasty. The ways of thinking of internal transcendence have important implications for the study and theoretical construction of ancient literature.