论文部分内容阅读
谷文达的装置艺术本身,与俄国艺术家伯任纳摧毁该作品的行为艺术,都反映了当代人类艺术价值观的混乱和迷失。对这一现象的批评与反批评,依据社会学的标准都显得无能为力并难以触及问题的本质。重建艺术的圣殿有待于人类灵魂的复活。
Gu Wenda’s installation art itself and the performance art by Russian artist Bernard Jr. destroying the work all reflect the confusion and loss of contemporary human artistic values. Criticism and counter-criticism of this phenomenon, based on sociological criteria, are powerless and difficult to reach into the essence of the problem. The reconstruction of the artistic temple needs to be resurrected by the human soul.