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以历史唯物主义者的视角解读诸多不同的舞蹈文化类型,无不是培植于某一特定的历史土壤之中的,并以类似于酶物质一般投入到整个文化的发酵与流转过程当中。以世界共通的舞蹈样式,诸如古典舞、民族民间舞、现代舞、芭蕾舞……共同构建出不同民族或地域的舞蹈文化格局。事实上,舞蹈与生俱来被赋予了某种文化责任与义务是不言而喻的。然而这样一个本应从“质”上符合艺术核心价值的判断,却因被某种“量”的表象偷梁换柱而漠视了。中国舞剧包括各种概念混淆的舞蹈
To interpret the many different types of dance culture from the perspective of historical materialists is to be cultivated in a particular historical soil and put into the process of fermentation and circulation of the entire culture in a similar way to enzyme substances. To common in the world of dance styles, such as classical dance, folk dance, modern dance, ballet ... together to build different ethnic or regional dance culture. In fact, it is self-evident that dance is born with some kind of cultural responsibility and obligation. However, such a judgment that should accord with the core value of art from the “quality” has been ignored by the appearance of some sort of “quantity”. Chinese ballet includes various concepts of confusing dance