广播剧是既古老又年轻的艺术,说它古老,是与新兴的电视剧比起来,它算得上是“老前辈”了;说它年轻,是与古老的戏剧比起来,它还算是个“小字(?)”。认真算起来,广播剧也已有百余年的历史。然而,迄今为止,关于广播剧的重大理论研究,仍有许多(?)区和误区,例如关于广播剧的归属定位、广播剧的本体优长、广播剧的开拓创新等等,都并没能从理论上予以廊清。这对广播剧的进一步繁荣发展,显然是不利的。为此,笔者虽学(?)才浅,但既在其位,当谋其“艺”,愿意就广播剧当前存在的重要理论问题进行新探讨,以就教于专家学者、广 Radio drama is both ancient and young art, it is ancient, it is compared with the emerging TV series, it can be regarded as “old age”; say it young, compared with the ancient drama, it is still a “small print ?) ”. Seriously, radio drama has also been a hundred years of history. However, so far, there are still many areas of misunderstanding about the major theoretical research on radio dramas. For example, the localization of radio dramas, the ontology of radio dramas, the pioneering and innovative radio dramas, etc. have not been theoretically possible Gallery Qing. This is further unfavorable to the further prosperity and development of radio drama. For this reason, although I have learned a lot (?), I was not only in position but also when seeking “art” and was willing to make new discussions on important theoretical issues currently existing in radio dramas so as to teach them to experts and scholars widely