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两年来,看(或读)了一些在粉碎“四人帮”后出现的、表现当代我国农村生活题材的新戏。一方面是惋惜:这类题材的新戏偏少。另方面也高兴:其中有些优秀剧目,就某些方面来看,达到了建国三十年来同类题材剧目的新水平。这里,主要从河南豫剧院三团编演的《谎祸》、江苏省话剧团演出的《带血的谷子》和辽宁人民艺术剧院编演的话剧《落凤台》谈起。《谎祸》揭示五十年代末期,热气腾腾、轰轰烈烈的跃进风潮,给中原农村造成的冷冷清清、凄凄惨惨的后果,歌颂顶风逆流而上、
In the past two years, we have read (or read) some new plays that have emerged after the smashing of the “gang of four,” which show the theme of contemporary rural life in our country. On the one hand is regrettable: the theme of this new drama less. On the other hand, I am also delighted: some of these excellent repertoires have, in some aspects, reached a new level in the repertoire of the same kind of topics in the past 30 years since the founding of the People’s Republic. Here, I mainly talked about “Lying Curse” which was performed by three groups of Henan Yu Theater, “bloody cereal” performed by Repertory Theater of Jiangsu Province and “Fengtai Terrace” drama which was performed by Liaoning People’s Art Theater. “Fallacy” reveals the wave of steaming and vigorous leap forward in the late fifties and the cold and clear, desolate and miserable consequences caused by the rural areas in the Central Plains.