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由深圳画院编辑出版的《中国版画年鉴》已经出版了12期。它所提供的版画史料,为中外研究中国版画,提供了宝贵的依据。《年鉴》决定从2013年开始,每年从全国各种版画展中遴选出100幅优秀作品,展览和收藏。由于评审和收藏具有较强的学术性、文献性和导向性,这是《年鉴》进一步参与推进版画进程的重要举措。我因为参加了《年鉴》收藏与展览的第一次评选,受到编者约稿,一时不知该说些什么。我近年来主要是自己作点画,外面的信息了解甚少,只能说点感想。回顾近30年来版画的发展,
The Yearbook of Chinese Engraving edited and published by Shenzhen Art Academy has been published for 12 times. The historical materials it provides provide a valuable basis for the study of Chinese prints both at home and abroad. The Yearbook decides to select 100 excellent works, exhibitions and collections each year from various printmaking exhibitions in China starting from 2013. As the review and collection of a strong academic, literature and orientation, which is “Yearbook” further involved in promoting the important process of printmaking. Because I participated in the “Yearbook” collection and exhibition of the first selection, by the editor of the draft, a moment I do not know what to say. In recent years, I mainly make some paintings for myself. There is very little information outside and I can only say some thoughts. Recalling the development of printmaking in the past 30 years,