戏曲需要革新革新则需要有胆识,有魄力,有才能。近年来,戏曲不景气的现状很严重,戏曲界的同行们力图通过各种途径,对戏曲从内容到形式进行变革。我从师众多,名师不少,也非常尊重他们。我曾有过“学谁象谁”的那样一个过程,且常以此为自豪。而今需要塑造新的人物,该象谁呢?我困惑了。所以,在艺术上我开始“叛贤”了。因老师所教的已不完全适应今天创造的需要。塑造 Drama needs innovation Innovation requires courage, courage, talent. In recent years, the current situation of drama downturn is very serious. The opera circles’ colleagues tried to change the contents of the drama from the content to the form through various channels. I have many teachers, many masters, and I respect them very much. I’ve had a process of “learning who to whom” and I’m always proud of it. Now who needs to shape new characters, who is it? I’m confused. So, in art, I started “treacherous.” What the teacher taught has not fully adapted to the needs created today. shape