本文就《屈原》、《山鬼》、《春秋魂》对历史人物屈原的不同表现方式和观照角度,比较了三剧不同的思想内涵、人物塑造途径和审美意趣。本文认为,这三部具有代表性的优秀史剧作品的相似和相异之处,相当充分地反映了新时期历史剧在继承传统的基础上锐意创新的重大进展。 This essay compares the different thought connotation, character shaping ways and aesthetic interest of the three dramas from the different ways and perspectives of Qu Yuan, Shan Ghost and Spring and Autumn Soul on the historical figures Qu Yuan. This paper argues that the similarities and dissimilarities between these three representative works of excellent historical drama reflect quite adequately the significant progress made in historical drama in the new period on the basis of inheriting tradition.