戏曲艺术是我国传统文化的瑰宝,进入现代以来它的发展却陷入低谷。有人认为原因是戏曲艺术的形式过于陈旧、落后,不能适应现代舞台。于是一些剧目开始追求“大制作”的包装效果,制作大班子,进行大投入,期待戏曲艺术的回归。但是“大制作”背景下的戏曲艺术只注重外在形式,造成了戏曲表演艺术的退化,脱离了戏曲艺术的本体就远离了观众,尤其是最广大的平民观众。本文认为戏曲艺术的回归应是形式上回归本体,内容上回归平民。 Opera art is the treasure of our country’s traditional culture. Since its entry into the modern era, its development has plunged into a trough. Some people think that the reason is that the form of opera art is too old and backward and can not adapt to the modern stage. So some repertoire began to pursue “big production ” packaging effect, making a big team, make big investment, looking forward to the return of opera art. However, under the background of “big production”, the traditional opera art only focuses on the external forms, resulting in the degeneration of the performing arts of the opera. Apart from the noumenon of the opera art, it is far from the audience, especially the most extensive civilian audience. This article argues that the return of opera art should be formally returned to the noumenon and the content returned to the civilian population.