早期“伤痕文学”中反映的文革知青生活的小说,大多把上山下乡看作是一场不堪回首的噩梦,文学由此而增加了强烈的批判色彩和伤感情绪。而王安忆的作品中,对“文革”的特定记忆采用了特殊的叙述方式,不渲染文革的惨烈生活,更多的是对“文革”中普通市民似与文革无关的边缘生活的描述。 Most of the novels of the literary and literary educations of the Qing Dynasty reflected in early “Scar Literature” regarded the going to the mountains and countryside as an unforgettable nightmare. Literature thus increased the intense criticism and sentiment. In Wang Anyi’s work, the special memory of “Cultural Revolution” was adopted in a special narrative mode, which did not exaggerate the brutal life of the Cultural Revolution, but more on the marginalized life of ordinary citizens in the “Cultural Revolution” that seemed unrelated to the Cultural Revolution description.