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《诺日吉玛》是巴音导演的第二部电影,影片秉承他第一部影片《斯琴杭茹》的脉络,又一次塑造了一位在苦难中守候爱情的蒙古族女性。与《斯琴杭茹》相比,《诺日吉玛》的人物形象更为丰满,叙事更加明快流畅,镜头语言和画面构图更为精美。特别值得肯定的是,影片立意的挖掘和艺术升华,从民族性格的层面迈上了人类共同情感和价值追求的精神高地。因为战争,诺日吉玛的爱人离开后杳无音信,乡亲们也为了躲避战乱离开了家乡,孤
“Nozick Kema” is the second film directed by Bayin. The film follows the context of his first film “Siqin Hang Ru” and once again shapes a Mongolian woman waiting for love in misery. Compared with the “Siqin Hang Ru”, “Noci Gama” character more plump, more fluent narration, lens language and picture composition more beautiful. What deserves to be affirmed is that the excavation of film conception and the sublimation of art have embarked on the spiritual high ground of human common emotion and value pursuit from the aspect of national character. Because of the war, after Noir Girma’s lover left no news, folks also left their homeland to escape the war.