在歌剧写作中,所有的歌剧作家都必须面对歌剧的形式结构问题。在传统的歌剧中,一般是以“宣叙——咏叹”结构作为其结构体裁的基础。于是歌剧便分成了明显的叙述性和抒情性的段落,它们所提供的不同信息分别反映为情节解释与情感反应。这种叙述解释与抒情的分段,导致了歌剧中的 In opera writing, all opera writers must face the problem of the formal structure of opera. In traditional operas, the “recitative - chant” structure is generally used as the basis of its structural genre. So the operas were divided into obvious narrative and lyric passages, and the different information they provided reflected as episodic explanation and emotional reaction, respectively. This account of narrative interpretation and lyric segmentation led to the opera