在这个家家有电视、户户看电视的年代,但凡电视剧,没有不穿插爱情婚姻戏的。但是,细分起来,其实就那么几种,苦情戏多半逃脱不了《渴望》的框架,女主角迁就忍让、包容大度,堪称中国标本式的良家妇女、贤妻良母。这也许是编剧,或者往大了说是中国人传统意识里良家妇女的理想状态。可惜那是理想,不是现实。这都21世纪了,对妻子、母亲的想象还是这样的,悲剧啊! In this era of television and television in every household, there is no non-play of love and drama in TV series. However, the subdivision up, in fact, there are so few kinds of bitter scenes can not escape the “desire” of the framework, the heroine to tolerate, inclusive, 堪称 Chinese specimen-type women, wife and mother. This may be a screenwriter, or the larger is the ideal state of a well-meaning woman in the traditional Chinese consciousness. Unfortunately, that is ideal, not reality. This is the 21st century, the wife, the mother’s imagination or so, tragedy ah!