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我国戏曲发展源远流长,是我国特有的民族特色,是广大人民群众的智慧结晶。戏曲表演艺术在面向观众时,主要表现为演员虚化、程式化的表演、舞台时空自由开放的艺术调度,源于生活而高于生活,以摆脱生活的束缚、追求艺术真实为目标。戏曲表演艺术是在生活的基础上对题材进行加工、精炼、夸张、变形等来表达人物的主观感情,演员在舞台上的表演具有一定的虚拟性。同时,开放性的戏曲表演舞台,为戏曲表演者提供了自由、广阔的发展空间,可以说戏曲表演是追求美的艺术,能够通过戏曲演员中的唱念做打舞等动作、服饰、脸谱等舞美设计,把生活中的美和丑都尽可能演化到完美,达到诗情画意、意趣盎然的艺术表现效果。
The development of Chinese opera has a long history and is a unique national feature of our country and a crystallization of wisdom of the vast majority of the people. The performance art of opera plays an important role in the audience. The main performances of the performance art are the performer, the stylized performance, the free and open artistic schedule of the stage and space, from the life and above the life, to get rid of the shackles of life and pursue the true art. The performance art of opera is to express the subjective feelings of the characters on the basis of life by processing, refining, exaggerating, transforming, etc. The performers have certain virtual performances on the stage. At the same time, the open drama performance stage provides the Chinese opera performers with a free and broad space for development. It can be said that the performance of opera is the art of pursuing the beauty, and can perform such activities as dressage and facial masquerading through singing and dancing in opera actors Design, the beauty and ugliness of life evolved as perfect as possible, to achieve the poetic, interesting artistic performance.