任曙林将个人的摄影语言注入到中学生这一群体中,在那样的年代,他留下了一代人对青春的回忆,他眼中的年轻人也正在被摄影这一他熟悉的方式进行讲述。摄影要有现场感那时我比较有幸在70年代末就看到一些世界大师的原版画册,比较早地接触了这些东西。要不然老是重复前人,你拍得再像你还是出不来,这个我觉得比较幸运。那会儿觉得摄影还是一个现场的 Ren Shulin injected personal photographic language into a group of middle school students, during which time he left a generation of memories of youth, and young people in his eyes were also being familiar with his photography. Photographing a Live Thing When I was fortunate enough to see some of the original masters of the world in the late 1970s, I came into contact earlier. Otherwise, always repeat their predecessors, you still like you still can not get out, I feel more fortunate. At that moment photography still was a scene