当今能在几个领域进出自如的人都是跨界高手,例如日本的妹尾河童,既是当代具有标签的舞台设计家,又活跃于戏剧、歌剧、芭蕾舞、音乐剧和电视领域。我最早是从他写的《窥视印度》、《河童旅行素描本》书开始熟悉他的,在他的文字中,一个好奇心重的老顽童形象跃然而出。特别令人惊讶的是,每篇文章里都配有他用精细笔触画出的描述文字的图。他涉及的一切,如同让人大为赞叹的诱人沙拉。 Today, people who are able to come and go in several areas are transborders, such as Japan’s sister-in-law who are both contemporary label designers and active in theater, opera, ballet, musical theater and television. I first came to know him well from his book Peep to India, a book about Kappas Travel Sketchbook, in which a curious old urchin figure suddenly emerged. Particularly surprising is that each article is accompanied by his use of fine brush strokes to draw descriptive text. Everything he does is like a tempting salad that makes a big difference.