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艺术家要形成自己的风格才算是成熟的艺术家,换句话说:风格是艺术家灵魂的张显,是艺术家爆发出来的生命体现。可见,风格对一位艺术家来说是十分重要的,所以有些人就显得局促、盲目,一心想得到艺术家的真谛——风格,却适得其反。我的这篇论文《绘画中格式化的风格与风格化的格式》试图提醒盲目追求格式化风格的艺术者要踏踏实实坐下来,潜心研究进去,不要怀揣侥幸,盲目跟“风”随“潮”做墙头草。论文通过推理、举例、下定义等方法阐述和论证观点,得出:他人格式化下的风格是无学术意义的,是几乎重复性的简单操作;只有具有“风格化格式”的风格才是真正意义下的风格,才具有学术价值和历史意义。
In other words: style is the artist’s soul Zhang Xian, is the embodiment of the artist’s life burst out. Visible, style is very important to an artist, so some people seem cramped, blind, bent on getting the true meaning of the artist - style, but the opposite. My essay, Formatting Stylized and Stylized Forms in Painting, attempts to remind artists blindly pursuing a stylized style to sit down and study with painstaking effort. Do not harbor luck, blindly, With the “tide” to do the wall grass. The dissertation elaborates and argues the argument through reasoning, examples and definitions, and draws the conclusion that the style under others’ formatting is non-academic and is a repetitive and almost simple operation. Only the style with “stylized format” Is the real sense of style, it has academic value and historical significance.