论文部分内容阅读
西方形而上学对于时间的追问给予美学以丰富的启迪。时间决定存在者的生命形式和心理状态,存在者的时间意识引导审美活动的意向性和结构性情绪,激发对于时间存在的体验和直觉。对于时间存在的体验和直觉转换成为一种体验性的时间和直觉化时间,进入到审美时间的境域。时间意识规定时间视域,时间视域规定着审美活动的心理状况,规定着想象力的生成和艺术灵感的可能。简言之,主体的审美时间是一种超越历史境域和物理存在的共时性的精神结构,它保证着人类的诗性主体和艺术创造的精神根基。然而,现代和后现代境域的主体在一定程度上丧失古典时期的审美时间,科学主义和实证主义的时间意识引领人类进入一个实用和非诗性的时间境域,决定主体存在的非审美时间和审美活动的物化和经济思维,由此证明着审美时间的沉沦成为后现代历史语境的另一种形式的知识悲剧。
Western metaphysical questioning of time gives aesthetics a rich enlightenment. Time determines the life form and mental state of the being. The temporal awareness of the present leads the intentionality and the structural emotions of the aesthetic activities and stimulates the experience and intuition of the existence of time. The experiential and intuitive transformation of time into an experience of time and intuitive time, into the aesthetic time of the area. The time consciousness defines the time horizon and the time horizon defines the psychological conditions of aesthetic activities, which stipulate the possibility of imagination generation and artistic inspiration. In short, the aesthetic time of the subject is a synchronic spiritual structure that transcends the historical context and the physical existence, which guarantees the spiritual foundation of the human poetic subject and the artistic creation. However, the subjects in modern and post-modern contexts have lost the aesthetic time of the classical period to a certain extent. The time consciousness of scientism and positivism leads mankind into a practical and non-poetic time and determines the non-aesthetic time and aesthetic existence of the subject Materialization and economic thinking of activities, thus proving that the sinking of aesthetic time has become another form of knowledge tragedy in the postmodern historical context.