编辑同志: 我冒昧地提出一项意见,不知是否可以向有关电影部门转达。当前我们农村少数民族反映最强烈的一件事情就是:为什么现在的影片表现城市青年生活及各方面情况的那么多那么广,为什么农村题材的就那么少甚至没有。我们这个村,大多数都是达斡尔族,老人们也经常唠叨说:怎么现在的电影一点也没有咱民族的事?现在农村的景象不是也很好吗,怎么不多拍些农村电影呢?象《喜盈门》、《被爱情遗忘的角落》、《傲雷·一兰》、《阿丽玛》等这样的影片,希望以后还是要多拍摄些。 Editor’s comrade: I venture to put forward an opinion, I do not know whether it can be conveyed to the film department. At present, one of the things that strikes the strongest among our ethnic minorities in rural areas is why the current films show so many aspects of urban youth life and so many aspects of the situation. There are so few or no rural themes. In our village, most of them are Daur people, and the old people often nag that: how is the movie now that there is nothing about our nation? Now the rural scene is not very good too, how not to shoot more rural movies? Such as “Xi Ying Men”, “Love is forgotten by the corner”, “Aolei a Lan”, “A Lima” and other such films, hoping to still shoot more later.