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要理解尼采的哲学思想,悲剧只是提供了一个维度,把悲剧仅仅作为艺术范畴进行审美解读是无法理解尼采哲学思想的全部的。本文运用法国后现代哲学家列维纳斯的“他者”理论,在确立悲剧作为艺术主体地位的同时,运用哲学、美学、伦理、宗教、神话等非艺术的“他者”视角对尼采的悲剧观进行多视角、多维度的解读。
To understand Nietzsche’s philosophy, the tragedy only provides a dimension. It is impossible to understand the whole of Nietzsche’s philosophical thought simply by tracing the tragedy as an aesthetic category. This article uses Levinas ’s theory of “postman” of the French postmodern philosopher. While establishing the tragedy as the main body of art, this article uses the non - art “the Other ” such as philosophy, aesthetics, ethics, religion and myth. Perspectives on the tragedy of Nietzsche from a multi-perspective, multi-dimensional interpretation.