去年以来,《戏剧报》开展关于戏剧观念的讨论,开始接触到戏剧的实质,即戏剧自身的特点、规律等问题,这是有意义的。观念是人们对客观事物的认识,戏剧观也如是,先有戏剧的实践,然后才有戏剧观。实践的变革,才引起观念的更新。观念虽然有反作用,但它始终是第二性的东西。讨论戏剧观时,不能把这个关系搞颠倒了,否则,容易脱离现实,陷于盲目。戏剧观就是对戏剧的一系列根本问题,如戏剧与政治,舞台与生活,内容与形式等等的总看法。这些根本看法,当然不是永久不变的,但也不是瞬息万变的,而有其相对的稳定性和延续性。传统观念中有不少有价值的东西,需要继承下来,不能弃之如敝屣;对于正在变化中的现实,我们既要在观念上去适应它(即更新观念),又 Since last year, The Drama Newspaper has conducted discussions on the concept of drama and has come into contact with the essence of drama, that is, the characteristics and laws of the drama itself. This makes sense. Concept is the people’s understanding of objective things, the concept of drama is the same, the first practice of theatrical, and then there is the concept of drama. Practical change led to the renewal of ideas. Although the concept of counterproductive, but it is always second nature. When discussing the concept of drama, we can not turn this relationship upside down, otherwise, it is easy to get out of the reality and fall blind. The concept of drama is a series of fundamental questions about drama, such as drama and politics, stage and life, content and form, and so on. Of course, these fundamental opinions are not permanent, but they are not constantly changing, but have their relative stability and continuity. There are many valuable things in the traditional concept that need to be inherited and can not be abandoned. For the reality that is changing, we must both adapt to it (that is, to update our concepts) and