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“五四”时期,出于现实的需要,新文化思想先锋们在中国大量引进、移植西方悲剧样式,打破了中国传统戏剧中悲喜混合的大团圆情节模式,在中国剧坛催生出话剧这一崭新的艺术样式,并使得悲剧观念与审美得到了推崇与发展。
During the period of the May 4th Movement, pioneers of new cultural ideologies introduced and transplanted Western tragedy styles in large numbers in China because of the realistic needs. They broke the happy reunion plot of tragedy and hell in the traditional Chinese drama and spawned in the Chinese theater Drama this brand new art style, and makes the concept of tragedy and aesthetic get respected and development.