无论是顺境还是逆境,我始终坚持写作,不懈地开拓我的文学之路……每个人,特别是从少年时代起就开始有自己的梦想,我也一样,从隐隐约约地懂得点事就开始有自己的想法,那还是二十世纪五、六十年代,中国的普通大众还没有电视机,我每每跟着父亲去看完一场大戏或一场歌舞,在回家的路上都会想入非非。看完粤剧《花木兰》,我就想,当花木兰多潇洒呀,她挥舞着一支竹竿就当作战马, Whether it is good times or adversity, I always adhere to the writing, relentlessly open up my path to literature ... ... Everyone, especially since the boyhood began to have their own dreams, and I, too, from the vague understanding of something I started to have my own ideas. In the 1950s and 1960s, China’s ordinary people did not have television sets yet. I often followed my father to watch a drama or a song and dance. After reading Cantonese opera “Mulan”, I thought, when Mulan more chic ah, she waving a bamboo as a horse,