如果将1989年的中国现代艺术大展看做“现代艺术”在中国的谢幕,并同时将其看做“当代艺术”在中国的热身,那么“中国当代艺术”的生命轨迹也才不过二十余年。但,或许是由于曾经年轻的艺术家们自身创作灵感的枯竭,抑或是由于社会生活形态的改变而使他们应对乏术,甚而是由于艺术市场疯狂而肆意的追逐捧杀,中国当代艺术的整体面貌已渐渐出现创造力不足、丰富性不够、实验性不强等问题,并与当下的社会生活状态、文化审美心理等难相匹配。从新艺术形式的探索到新文化生态的创造,中国当代艺术中昔日叱咤风云的战将们都 If you look at the 1989 exhibition of modern Chinese art as the curtain call for “modern art” in China and at the same time regard it as the warm-up of “contemporary art” in China, then the life of “contemporary Chinese art” Trail also just over twenty years. However, the overall appearance of Chinese contemporary art may have been due to the depletion of the once young artists’ creativity, or their lack of response due to changes in the social lifestyles, or the frenzied chase and killing of the art market. Gradual emergence of lack of creativity, lack of richness, experimental weakness and other issues, and with the current state of social life, cultural aesthetic psychology difficult match. From the exploration of the new art form to the creation of the new cultural ecology, all of the former all-powerful warriors in contemporary Chinese art