论文部分内容阅读
女性主义文学批评在20世纪法国文学史留下了不可磨灭的一笔。作为其中颇具代表性的批评家,朱丽娅·克里斯特瓦(Julia Kristeva)对女性主义有其独到的见解。《中国妇女》是克里斯特瓦女性主义批评理论的代表论著之一,在书中,通过对西方基督“圣女”及中国“母祖”形象的对比论述,她强调:母性的解放不是女权与男权的对立,而在于寻找更自由的生存和伦理空间。文章通过对书中西方“圣女”与中国“母亲”的对比分析,试图回归到作者的思想起点,寻找其理论的源头。
Feminist literary criticism has left an indelible mark in the history of French literature in the 20th century. As one of the most prominent critics, Julia Kristeva has his own unique view of feminism. “Chinese Women” is one of the representative works of Cristova’s theory of feminist criticism. In the book, she contrasts with the images of the Western “Maiden” and “Mother” in China. She emphasizes: The liberation is not the antagonism between feminist and patriarchal, but the search for more free living and ethical space. The article tries to return to the starting point of the author’s thoughts and find the source of his theory through the comparative analysis of the book “The Holy Woman” and “Mother” in the book.