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周邦彦(1057—1121)字美成,号清真居士,有词集《片玉词》传世。其词“前收苏、秦之终,复开姜、史之始,自有词人以来,不得不推为巨擘。”(陈廷焯《白雨斋词话》)所以读词不可不读清真词。但读清真词,特别是从唐五代挨着排地读到清真词,我们就会有一种特殊的感觉,这种感觉先著的《词洁》说得非常分明而形象: 乍近之,觉疏朴苦涩,不甚悦口;含咀久之,则舌本生津。为什么会出现这种情况呢?这要从美成词的审美态度与审美取向谈起。从感发的角度来看,诗词作品大约有两类:一是突然得到一种创作灵感,产生一种创作冲动,于是作品也就从胸中自然而
Zhou Bangyan (1057-1121) The word Mei Cheng, No. Halal resident, word set “piece jade word” handed down. The word “before the end of the harvest, the end of Qin, rein in ginger, the beginning of the history, since the poets, had to push for the giant. ” (Chen Tingzhuo “Bai Yu Zhai words”) So read the words can not read halal words . However, when we read the real words, especially from the Tang and the Five Dynasties to the Islamic words, we have a special feeling that the first words of “Ci Jie” are very clear and vivid: in the first place, Sparse Park bitter, not very pleasing to the mouth; Tsui for a long time, the tongue of Health. Why does this happen? This should be discussed from the aesthetic attitude and aesthetic orientation of the acronym. From the perspective of emotional, there are about two types of poetry works: one is to suddenly get a creative inspiration, creating a creative impulse, so works from the chest naturally