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形与神的辩证关系《聊斋志异》在创造艺术意境时,正确地处理了“形”与“神”的辩证关系,蒲松龄笔下的鬼狐形象以荒诞怪异的形式反映了人的性情,人的灵魂,都具有一种感人力量和审美价值,这是作者着重在内在的“神”上下功夫,把外部形象有些怪异的鬼狐写出人情、血性来。作者遵循以形传神的艺术法则,作品反映特定的人的本质特征和精神气质,达到
The dialectical relationship between form and God Strange tales of the Liao Zhai correctly dealt with the dialectical relationship between the “” shape “and the” god “in creating the artistic conception. The image of the ghost and fox in Pu Songling reflected the absurd weird form Human nature, human soul, has a moving force and aesthetic value, which is the author focused on the inner ”God " to work hard, the external image of some weird ghost fox write human, bloody. The author follows the artistic principle of vivid expression, the work reflects the essential characteristics and spiritual temperament of a specific person,