新世纪以来,话剧创作的一个明显变化是,创作观念的改变,创作风格的平民化。很多作品把创作视角聚焦普通人,讲述普通人的故事,揭示普通人的情感,塑造普通人的形象,展示“草根”的力量。看这些戏,观众不仅在情感上感到亲切,精神上也产生一种共振并获得鼓舞。写现实生活的戏,尤其是写普通人的戏非常难,因为他们少有惊天动地的事迹。《春夏秋冬》、《秋天的二人转》、《三峡人家》、《顾家姆妈》给观众留下了难忘的印象。剧中的人物,每天生活 Since the beginning of the new century, one of the obvious changes in dramatic writing has been the change of the concept of creation and the popularization of the creative style. Many works focus on the creative perspective of ordinary people, tells the story of ordinary people, reveal the feelings of ordinary people, shaping the image of ordinary people, show “grassroots ” power. In looking at these scenes, the audience not only felt emotionally affectionate but also mentally resonated and encouraged. It is very difficult to write scenes of real life, especially those of ordinary people, because they have few earth-shattering stories. “Spring, summer, autumn and winter”, “two people in the autumn”, “Three Gorges people”, “Gu Mu mom” to the audience left an unforgettable impression. The characters in the play live everyday