引言道教历史上形成的繁多道派在教理教义和弘道行法上各有不等差异，但在科仪音乐上却始终奉行一个相对统一的主流传统，体现出纷繁时空变迁中内核的稳定性。这个独特音乐现象尚未引起人们充分重视。此主流传统是如何形成发展的？其与各种道派有何关联？都是颇值探讨的问题。 Introduction The various Taoist schools formed in the history of Taoism differ in their teachings and practices. However, they always adhere to a relatively unified mainstream tradition in their music, which reflects the stability of the kernel in the ever-changing temporal and spatial changes. This unique phenomenon of music has not yet attracted enough attention. How does this mainstream tradition develop? How does it relate to various schools? Are quite worth discussing the issue.