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改革开放以来,我国歌剧的创作进入了一个新的发展阶段,音乐界对这一时期的歌剧创作给予了及时的研究与讨论。文章通过对改革开放以来发表的有关讨论我国歌剧创作的评论文章进行梳理与综合,主要分成三大部分:1.对于这一时期歌剧创作观的研究;2.关于创作本体的研究;3.关于歌剧审美问题的探讨。希望能从当时音乐界对歌剧创作问题的相同与不同见解与争论中更准确地把握我国歌剧创作研究的成果与现状,以便于以后的学习与研究。
Since the reform and opening up, the creation of Chinese operas has entered a new stage of development. The music industry has given timely research and discussion on the opera creation in this period. The article divides and summarizes the review articles about the creation of operas in our country since the reform and opening up, which is mainly divided into three parts: 1. The research on the view of opera creation in this period; 2. The research on the ontology of creation; 3. Discussion on the Aesthetic Problems of Opera. It is hoped that we can grasp the achievements and the current situation of Chinese opera creation more accurately from the same and different opinions and controversies of the contemporary music industry on opera creation so that we can study and study later.