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精神性的小说的确是我们的小说传统中最缺乏的。从明清的世情小说,到民国和当代的现实主义小说,很少看到专注于思考的小说。由此,对《没有个性的人》的重视和发现,可以激发出汉语小说写作的方向性激情。当然,这是对那些有准备的作家而言的。当代汉语小说,似乎也无法越过讲故事这一关,即使到了21世纪头10年的今天,大部分作家还在以很老套的手法写故事,还在想方设法地讲述那些带有奇观性的故事。
Spiritual novels are indeed the most lacking in our novel tradition. From the novels of the world of Ming and Qing dynasties to the Republic of China and contemporary realist novels, few fiction focused on thinking. As a result, the emphasis and discovery on the “no-personality person” can stimulate the directional passion of Chinese-language novel writing. Of course, this is for those preparing writers. It seems that contemporary Chinese novels can not cross story telling. Even in the first 10 years of the 21st century, most writers still write stories with very old ways and are still trying to tell stories with spectacular stories .