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大众是古典戏曲最具典型性、最大量的观众,他们的戏剧意识体现了一种民族范围的“集体无意识”,对于戏剧理论具有重要的意义。元代大众的杂剧意识于其中更具典型性,有三大特点:首先具有浓烈的世俗之气,元杂剧内容和人物显示了对情色趣味的孜孜追求及其反动;其次,宗教观念于其中影响极大,民间戏剧产生得力于宗教的呵护,但娱神之目的实在娱人;其三,戏剧本位意识很芜杂,元杂剧和其他杂艺同演于一台上,形式上极为散漫和随意。
The public is the most typical and largest audience of classical operas. Their dramatic awareness embodies a “collective unconscious” of national scope, which is of great significance to drama theory. In the Yuan Dynasty, the awareness of the drama in the Yuan Dynasty is more typical and has three characteristics: first, it has a strong sense of secularity; Yuan drama content and characters show diligent pursuit and reaction to eroticism; secondly, Large, folk drama produced by the religious care, but the purpose of entertaining God is entertaining; Third, the awareness of the drama is very mixed, Yuan Zaju and other miscellaneous performed on stage, the form is very casual and random.