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英国导演丹尼.保尔的《贫民窟的百万富翁》通过精心的营构,体现了后殖民文化语境下资本主义文化霸权的双重性和复制性。本文试从影像本身的四个特征来诠释这种双重性和复制性。
British director Danny Paul’s “Slumdog Millionaire,” through careful construction, reflects the duality and replicability of capitalist cultural hegemony in the context of post-colonial culture. This article attempts to explain this duality and replicability from the four characteristics of the image itself.