在20世纪中国美学史上,有关“意境”的讨论不计其数,且多次成为学术热点,取得了突出的成果,达成了很多共识,也存在不少争议。尽管意境的现代建构难以回避西方美学东渐的文化语境,然而,无论从中华美学精神的演进看,还是结合中华传统艺术的审美实践而言,都不能说是空穴来风,更非凭空杜撰。有关“意境”的思想深植于传 In the history of Chinese aesthetics in the 20th century, there are countless discussions about “Artistic Conception ”, and have become academic hot spots many times and achieved outstanding results. Many common understandings have been reached and many controversies exist. Although the modern construction of artistic conception is hard to evade the cultural context of western aesthetics, however, it can not be said that it is ground-breaking and irrational in terms of both the evolution of Chinese aesthetic spirit and the aesthetic practice of Chinese traditional art. The idea of ​​ “mood ” is deeply rooted in the biography